Tuesday, March 22, 2011

Final Set

A Perception of Space.
an attempt to capture glimpses into the unconscious mind…



     Perception of Space, Manipulated through Photography.
         
This experimental set plays on the perception of space. The camera has not been used to capture a moment in time, but used as a tool to manipulate the way we perceive a space. Each technique has been used to bring out certain qualities of the space by manipulating the way it is portrayed as an image.  Based on the works of the 1920’s surrealist movement, the set was inspired by the unique spatial qualities that characterise the surreal dream-like sceneries, startling spectrum of contrasts and incongruous juxtapositions of space.   

"Surrealism as a visual movement had found a method: to expose psychological truth by stripping ordinary objects (spaces) of their normal significance, in order to create a compelling image that was beyond ordinary formal organization, in order to evoke empathy from the viewer.”





This shot portrays the space in an almost ghostly, deserted appearance. The low angle accentuates the perspective of the buildings, and the curve of the lagoon and the roofline fade off into a gloomy city. In attempt to capture the space in an everyday situation, the picture is anything but. There is something weirdly surreal about image due strong lines of perspective, a lack of vibrance, and the absence of life. 

At first glance, an incredibly surreal image of the lagoon with clear blue skies and water you could see your reflection in. An extremely symmetrical reflection of the boat sheds above is cast in the glass like water. What appears to be a mirror image, is exactly that, as the scene has been manipulated to portray this overly 'perfect' image of an almost pleaseantville space.



This well balanced shot portrays the lagoon in a picturesque nature. The glossy water picks up the colourful reflections of the built environment around the lagoon, along with long exposure drawing out a blue haze in the sky and recording the movement of the swiftly moving clouds.


This abstracted photograph gives a completely different perception of the space. Gives it a sense of excitement, movement, a focal point, life, and accentuates the perspective of the space. Very constrasting to the rest of the set which appear lifeless and dull in comparison.


Back for one more...

With an something missing from set the day before hand-in it was back to the site for one more shoot.
With picturesque, nighttime settings for the previous shoots, this final shoot was anything but with true Wellington conditions, wind in my face and rain on my lens. It made for easy elimination when it came for filtering them as a good half had some nice water blotches on them.
From the mare of an afternoon I did manage to get one last photo to complete the set...











In an attempt to get as normal as possible photo of the space to offset the rest of the set, there is something weirdly surreal about this shot. Not sure if its perspective, the absence of life, the gloomy sky or the combination of it all, I think its completes the set.


Monday, March 21, 2011

PhotoShoot Three

This photo-shoot targets the surreal qualities produced by HDR photography. I have used an auto exposure bracket to capture the tonal qualities from both ends of the exposure scale.


These are some of the more success shots from the sequence really bringing out the surreal qualities of the space in an almost ghostly picturesque representation.
HDR Lagoon                                   by Frano Bazalo

HDR Lagoon                                   by Frano Bazalo 
HDR Lagoon                                   by Frano Bazalo 
HDR Lagoon                                   by Frano Bazalo

This shot takes advantage of the surreal qualities of the moon and the way it illuminates the sky as the back drop to the light filled lagoon.

Saturday, March 19, 2011

PhotoShoot Two



Some of the more successful shots of the shoot...
HDR - Lagoon                                  by Frano Bazalo

Lens Pull - Lagoon                                  by Frano Bazalo
Lens Pull - Lagoon                                  by Frano Bazalo
Symmetrical- Lagoon                              by Frano Bazalo
Lens Pull - Kumutoto                               by Frano Bazalo


Tuesday, March 15, 2011

Lens Pull

In this experiment I have used a slow shutter speed, taken the photo, and zoomed out, drawing all the lights out. This has created a distorted perception of the space. 


These are some of the more successful shots of the set.
            Post Office Square                by Frano Bazalo
The Lagoon                           by Frano Bazalo
It all Points to Jerningham                by Frano Bazalo
Around the Basin                          by Frano Bazalo
McDs                                    by Frano Bazalo
          Lights of Oriental                             by Frano Bazalo



Friday, March 11, 2011

Split lens


Jennifer Maughan

An aspect of surrealism is about taking something you know, something normal, and manipulating it with figments of the artist imagination. An example of this, is the painting of a painting above, with elements of both the real and the surreal.

This experiment aims to capture an element of the surrealism through the manipulation of the lens. 
I have used a piece of acrylic to cover half of the lens. Half an image is reflected and merged into the standard frame. Some of the shots are a lot more successful as the join of the reflection is much more subtle. Photoshop has not been used. 


Here are two of my favorites from the set. The perception of the space has been changed with characteristics from another angle fused into a single image.
            New Angles                                                                               Frano Bazalo

Marion vs Ghuznee                                                               Frano Bazalo